Borrow Tomorrow & the Vogue. Need I say more?

Vogue Marquee
Borrow Tomorrow return to the Vogue Theatre May 11, 2012.

OK, well maybe a little. How about some details?

We had such a ball at the Vogue back in January that we’ve decided to rekindle the magic on Friday, May 11. Joining us this time around are Brent James & The Contraband and Whoa!Tiger. Brent James and his band hail all the way from Nashville, TN by way of Seymour, IN. Learn more about them here. Indianapolis’ own Whoa!Tiger, another Indy-In-Tune favorite, keeps our IIT streak alive, and you can check them out here.

Boto at the Vogue. 5.11.12

  • Friday, May 11 at The Vogue (6259 N. College Ave., Indianapolis, IN)
  • Doors: 7:30 pm
  • Show: 8:00 pm
  • Tickets: On sale now. $7 Advance, $10 Day of Show. You can buy them from any band member right now for $7. Shoot one of us an email (here’s mine: chris [at] borrowtomorrowband [dot] com), and we’ll get you squared away. At the door, it’ll cost you $10 bones to get inside. You can also purchase them online via Ticketmaster, but you’ll have to pay those pesky fees. If you’re into ornithological carnage, I recommend you kill two birds and buy them from us ahead of time.
  • Facebook Event – Hey BookFacers–tell us you’re coming.

Whoa!Tiger will kick things off with a Siegfried & Roy-esque trained tiger routine. Actually, I think they’ll just play good music. Either way, you don’t want to miss it. Brent James & The Contraband will follow, and hopefully they don’t rock your entire face off, or else they’ll be nothing left for us to do to close the night.

If you couldn’t be bothered to read the above, here’s Robert and me giving you the details in person:

 

Mark your calendars, round up the guys and gals, pick up your tickets early, and we’ll see you at the Vogue on the 11th!

cj

New Vocab Term: Progress

We’ve been fairly quiet as of late with the exception of Mr. Jerles’ most recent blog post. Probably appropriate considering the past few weeks have been filled with recording, gigging to pay for said recording and the beginning of what will soon be the finishing touches on our first full-length album.

Sample album art.

As Chris alluded to in our most recent blog post, we are about three to four sessions away from having every single instrument for every single track “in the can” as they say. As I take a few minutes and look back not only at the past three or four months but the past three or four years, it’s hard to really say what an amazing feeling we’re experiencing right now as we approach the finish line on the yet to be titled project. For lack of a better term, a dream come true.

This band has been riddled with mistakes, long nights, tough gigs, etc. We’ve had more than our fair share of car trouble, sleepless nights, stolen gear, flawed execution, scheduling conflicts and not to mention the fact that every time we play, our gear gets packed up and set up twice. I mention all of the above not because we want a pity party. We don’t. We chose to do this because we wanted to. We will spare you the details on all of the trials and tribulations mentioned above (at least until the Behind the Music airs) for the sake of your interest and our time and cut right to the point.

Chris mentioned in his last blog that the beginning of this album really dates back to about 18 months ago when we finished up our latest EP Retrospective. We had recorded four songs with our great friend Kyle Ferguson and his (and soon to be our) good friend Brett Baird. As we all packed up and drove home from Nashville, Tennessee each of the four of us will probably tell you a different story as to where the dream for the next album began. I’ll do my best to do all four of us justice.

Randall will tell you that shortly after returning from Nashville, he felt so comfortable working with Kyle (Ferg as we call him) that we needed to find a way to get him involved in our next project. If I remember correctly, we hadn’t been any more than 15 minutes outside the city limits when he told me this. Mind you, we didn’t have a single idea for a song for said “album” at that point.

Robert is Sexy
Robert in the control room working out a part.

Robert will probably tell you that recording an album was always the goal. We talked about it very early on in this band and although we always knew that we wanted to do it, we didn’t ever really know how we were going to get it done. As the idea came together and as we realized that we might have a shot at achieving this once lofty goal, Robert came through big. He started writing songs, writing lyrics, coming up with ideas for guitar parts, hand claps, wood blocks, tambourines, etc. He really grasped the idea of this project and ran with it.

 

Chris may tell you something similar to that of Robert and Randall. We all left Nashville with a renewed vigor and desire to make this thing work. I probably couldn’t tell you a lot about Chris’ thoughts on this project and as I sit here reflecting on it, I wish that I could. Most of the conversations that I had with Chris regarding this project were about the overall feel, pushing him to keep writing songs, discussing the direction of the album and helping him keep the creative process moving while we found ways to book shows, cover the costs of keeping this thing moving and keep everyone out of jail.

Deep in studio thought.

I don’t think that any of the four of us can take credit for the overall feel, vibe or direction of this disc because I think that all four of us should. Countless hours of writing in a barn (literally a storage unit), rehearsal in Randall’s basement, working on new songs at our favorite rehearsal space and the arguments, hugs and priceless moments that ensue brought us up to the point where it was time to start laying tracks.

Kyle & Andrew talking out parts
Who knew that 4th grade 2 on 2 baseball with ghost runners would turn into all of this?

Shortly before Christmas, we started recording music. You’ve seen all the updates so we won’t walk you through day by day what it took to get this thing done, but all we have left to do is this: 1) Robert is going to work on guitar tracks for one more song, 2) Chris is going to play some keys for a couple more songs 3) We are going to a special undisclosed location in which Chris will record piano and vocals in one afternoon to close out the album. 4) We will name what we’re dubbing arrogantly our “first masterpiece” and 5) we’ll select pictures and design for the cover, insert and disc art and 6) we’ll turn it over to you.

Tuning drums before the Saturday sessions.

I suppose that what I’m getting at, in more than enough words, is that recording an “album” has been a dream of mine for years. Spending time in the studio with your band mates who are essentially either family or lifelong friends creating something that you all together have created from scratch is a pretty incredible feeling. We set out to do a few things when we started this project. We wanted to write an album that first and foremost had an overall feel. We wanted it to be a compilation of songs that while all different, were all the same in that they told the story of us. And by us, we mean you. We wanted it to tell the story of all of us. We spent an awful lot of time discussing what kind of songs we wanted to put on it and decided that the only songs we wanted were good ones.

 

The disc will have 13 songs that are filled to the brim with the heart and soul of this band. This thing has been built from the ground up. It has been taken apart and put back together and here in the next couple of months, we will be very excited to share it with you. Stay tuned, get excited. Many of you we will probably be asking to take a sneak peek at it and if you’ve read this far into this blog, we’re hoping that you’ll listen to it.

The man behind the curtain. Ferg-a-mania.

Luckily, rarely are we this serious. So along with the new disc, get ready for new videos, new pictures, some new exciting gigs and more of our pretty faces. Cheers!

Studio – 0, BoTo – 1

Hope you all had an amazing holiday. We spent the final days leading up to the holiday laying down the first round of tracks for the forthcoming album, which to date has yet to be named.

So, when you put together a studio from scratch, this is kind of how it plays out…read one if you dare.

Day 1: This is the toughest. We started at 11:00 am this past Monday and setup gear, worked on microphone placement, trying to get some sounds and more or less worked through the endless list of challenges and issues that present themselves as the “studio” gets put together. Fortunately, with Producer Ferg and Engineer Ferg (yes, he does both) at the helm, things came together much better than anticipated.

"Engineer Ferg"
Ferg is cold. Randall cuddled him later.
"Producer Ferg"
Producer Ferg is busy with computers fixing all our shitty tracks. Just kidding...we're referencing the often used Ben Folds line.
By 10:00 pm, we were laying down drum tracks until about 3:00 am.

Day 2: Drums all day! The first night we were able to do about a song and a half…we were just getting warmed up on “Curtain Call” when it was time to call it quits. Day two we came in ready to rock. Andrew belted through about five more songs and then we called it an early day. Chris was sport enough to stick around all day and help lay down scratch vocals and guitar tracks. Sorry…Day two is all Andrew and therefore boring. Except for when he would get a bit giddy and want to see more of himself on camera…big shocker.

"Stupid Drummer"
For a guy that has chosen to spend time behind the rest of the band, he sure takes every opportunity to be out front.

Day 3: Things really got exciting on this one. We for the most part finished up the drum tracks for the eight songs that we know are going to make the album. Some of the fun stuff came later in the day when we worked on the tracks for “Born with a Broken Wing.” We easily spent more time on this one layering as many as 25 different drum tracks than we did any other of the songs. Banging on trash cans, rim knocks on the toms, egg shakers, tambourine and more! We pushed through this and eventually wrapped up drums. At about 11:30 pm, we elected to push through into rhythm guitar. This, for us, is where things get fun. Chris belted out a number of tracks. Nailed them, each and every time. We got into “Let me down” around 3:00 am, about the same time that Andrew started to fall asleep on the couch. After hearing the second take, everyone got their second wind and we finished the last rhythm guitar track (at least on Chris’s magical tele) at about 6:00 am.

Everything to this point has been simply “electric.” Ferg has had some amazing ideas and is pushing the band pretty hard. We’re exploring some things that we’ve never tried before, we’re bringing Gracie out for inspiration, we’re taking a couple of days off for the holiday and we’re back in business this week.

"Gracie Dog"
In between takes, drummer cuddles his beefy dog.
We are still a ways away from being able to share it with you, but as we listened to one last take of “Let Me Down” and turned off the lights at 6:00 am on Christmas Eve, the only term to describe what we were hearing was unanimously, “Rock and Roll!”

We hope you that everyone had an absolutely amazing holiday. We’ll be sending out some updates on upcoming shows…be sure to come out. We’ll be debuting some of the songs that will be on the forthcoming effort. We’re looking forward to seeing you soon. Stay tuned for more updates!

BoTo